LISZT BAGATELLE SANS TONALITE PDF

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Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Don't show me this message again. Studio Master:. View whole album. Other recordings available for download.

He is a sensitive and fastidious player who never forces his tone and is discreet with his use of the sustaining pedal. He can also bring out massive climaxes when required—he also plays Brahms. He shapes and moulds the sometimes bald and bleak writing, which is at times in just single notes, and takes us into the heart of the world of late Liszt. There is nothing routine about his playing.

The subjects are sometimes religious, sometimes macabre, and they explore strange harmonic regions with an undertone of mystery and terror. Tiberghien is an expert guide to this territory and he moulds and shapes the sometimes forbiddingly bare writing as well as rising to massive climaxes when required.

Whilst the piece is not especially dissonant, it is certainly very wayward in any kind of feeling for a tonal centre and ends with an upward-rushing set of diminished sevenths. Sie versetzen uns in dieselbe unheimliche Welt wie der 23 Jahre zuvor komponierte Mephisto-Walzer Nr. Leslie Howard piano. Lucille Chung piano. One of the first female students of the iconic Russian pianist Lazar Berman, internationally renowned soloist Lucille Chung performs a programme of virtuosic and beguiling works by Franz Liszt.

Liszt: The complete music for solo piano, Vol.

EN 14511-4 PDF

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Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Don't show me this message again. View whole album.

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Bagatelle sans tonalité

In the mid-twentieth century, Liszt 's piano music was unfairly viewed by many as generally flashy and virtuosic, often saccharine in its Romantic demeanor and only rarely of harmonic, rhythmic, or melodic interest. When his neglected and previously unpublished late works finally began appearing, and when musicologists also started to re-evaluate his middle-period output, his artistic worth was not only upgraded, but his influence on succeeding generations of composers was finally recognized. It clearly anticipates Schoenberg and the Second Vienna School, as well as other modernist movements. The piece humorously begins as the music seems to playfully hesitate, almost awkwardly, in mapping out its course, a sense of mischief seeming to hover above the proceedings. The mood remains amusing throughout, subtly so even when the music threatens to turn serious as it builds up with a rising series of chords.

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