GRISELDA POLLOCK VISION AND DIFFERENCE PDF

Griselda Pollock. Its introduction of a feminist perspective into this largely male-oriented discipline made shockwaves that are still felt forcefully today. Drawing upon rich resources of feminist cultural analysis hitherto little applied to the visual arts, Griselda Pollock offers concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art. Crucially, she not only provides a feminist re-reading of the work of canonical male Impressionist and Pre-Raphaelite artists including Edgar Degas and Dante Gabriel Rossetti, but also re-inserts into art history their female contemporaries - women artists such as Berthe Morisot and Mary Cassatt. Casting her critical eye over the contemporary art scene, Pollock discusses the work of women artists such as Mary Kelly and Yve Lomax, highlighting the problems of working in a culture where the feminine is still defined as the object of the male gaze. Now published with a new introduction by Griselda Pollock, Vision and Difference remains as powerful and as essential reading as ever for all those seeking not only to understand the history of the feminine in art but also to develop new strategies for representation for the future.

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Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book.

Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Vision and Difference by Griselda Pollock. The publication of 'Vision and Difference' marked a milestone in the development of modern art history. Its introduction of a feminist perspective into this largely male-oriented discipline made shockwaves that are still felt forcefully today.

Drawing upon feminist cultural theory previously little applied to the visual arts, Griselda Pollock offers concrete historical ana The publication of 'Vision and Difference' marked a milestone in the development of modern art history. Drawing upon feminist cultural theory previously little applied to the visual arts, Griselda Pollock offers concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art.

Crucially, she not only provides a feminist re-reading of the work of canonical male Impressionist and Pre-Raphaelite artists including Edgar Degas and Dante Gabriel Rossetti, but also re-inserts into art history their female contemporaries - women artists such as Berthe Morisot and Mary Cassatt.

Casting her critical eye over the contemporary art scene, Pollock discusses the work of women artists such as Mary Kelly and Yve Lomax, highlighting the problems of working in a culture where the feminine is still defined as the object of the male gaze. Now published with a new introduction by Griselda Pollock, 'Vision and Difference' remains as powerful and as essential reading as ever for all those seeking not only to understand the history of the feminine in art but also to develop new strategies for representation for the future.

Get A Copy. Paperback , pages. Published July 11th by Routledge first published February 1st More Details Original Title. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Vision and Difference , please sign up. Be the first to ask a question about Vision and Difference. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Along with Linda Nochlin, Griselda Pollock is undoubtedly one of the most significant figure in feminist art history.

Her essays are written with great clarity and her ideas thoroughly excavated. She posed the questions of whether the belated inclusion of female artists in established art histories is truly appropriate and adequate, and explored the root errors dated back long before Manet's Olympia.

Being a sterling researcher and unabashed champion of female artists, in her monographic essays Along with Linda Nochlin, Griselda Pollock is undoubtedly one of the most significant figure in feminist art history. Being a sterling researcher and unabashed champion of female artists, in her monographic essays on Berthe Morisot and Mary Cassatt, she discussed the specificity of their oeuvre in tight comparison with their male contemporaries.

It's such a shame I didn't come across this book sooner when I was struggling with my last semester's essays which would have been enriched greatly by the ideas put forth in this book. I would love to study more of her work in the parameter of a proper course rather than simply just through reading, as there is ample room for discussion of the issues surrounding art history and a practice, both in its flaws and scaffolding paradigm.

This book was a great read. Many great works analysed and used to back u This book was a great read. Many great works analysed and used to back up the claim, and overall a pretty easy read if you know a few things about psychoanalysis and Marxism Jun 04, Anna rated it really liked it Shelves: general-nonfiction.

This is not an easy read, very academic. But if you enjoy art history like I do, you'll like it :. View 2 comments. Pollock analyses psychoanalytic theory in art in such a way that acknowledges some sillyness, but does not refute the field as one with strong attributes.

Also, insisting on repositioning marxism as something outside of feminism is so obvious and refreshing to see in academia. Shelves: favorites. This book taught me to think differently about history-- not just art history, but all of history and the political perspectives inherent within it.

I highly reccomend this to everyone-- especially those with an interest in art. Jun 28, Sibel added it. History of Art! Jul 30, Whitney Gao rated it it was amazing.

Used this book for my thesis research, but honestly loved reading it so much that I bought my own copy. May 12, Nguyen Bich rated it it was amazing. May 21, Jeremy Blank rated it liked it. Re-read from a long time ago. I wanted to see what had changed from my perspective since I read this book nineteen years ago.

Quite a lot really and some aspects I missed in the initial read of this dense and forceful book I did not contest but have more confidence now. The book cites other rather more political reasons which seem somewhat less convincing than the established view of the importance of Japoneserie on Impressionism which is evident across many of the movements protagonists. The final chapter is still relevant and important in establishing a foundation for students to refer to in terms of understanding what the s represent in terms of thinking and societal change in conceptualisation.

Jun 14, George Millership rated it really liked it. I'd say groundbreaking, but it feels like Pollock is introducing common sense into a hegemonic and wanky art world! That, of course, is a disservice. That being said, I wouldn't say it is an accessible work. There's lots of dense, technical language - Pollock certainly doesn't treat you like an idiot.

Keziah rated it really liked it Jun 03, Missnadjetmalki rated it liked it Feb 27, Susannah rated it it was amazing Apr 20, Lou rated it it was amazing May 20, Clara rated it it was amazing Mar 26, Christine Padfoot's Library rated it liked it Jul 06, Dylan rated it really liked it Feb 28, Anisha ralhan rated it really liked it May 16, Michael rated it liked it Apr 07, Catherine rated it liked it Sep 04, Katrina rated it really liked it Nov 19, Kelly Rose rated it really liked it Jun 07, Irene rated it liked it Jan 07, Mayanne rated it it was amazing Dec 18, Brooke rated it really liked it Apr 14, John rated it liked it Dec 11, RJ rated it really liked it Jul 19, Alyssa rated it it was amazing Jan 01, Sameet Pradhan rated it liked it Jul 21, There are no discussion topics on this book yet.

Readers also enjoyed. About Griselda Pollock. Griselda Pollock. Griselda Pollock is a visual theorist, cultural analyst and scholar of international, postcolonial feminist studies in the visual arts. Based in England, she is well known for her theoretical and methodological innovation, combined with readings of historical and contemporary art, film and cultural theory.

She is professor of social and critical histories of art at the University of Leeds. Books by Griselda Pollock. As dedicated readers already know, some of the best and most innovative stories on the shelves come from the constantly evolving realm of young ad

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Vision and Difference : Feminism, Femininity and Histories of Art

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Vision and Difference: Femininity, Feminism and Histories of Art

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