CANTATE DOMINO GIUSEPPE PITONI PDF

The original work by Giuseppe Pitoni was a cappella, but Donald Moore has added a straightforward accompaniment of piano and optional flute or C-instrument. What a great way to introduce your students to music of the Baroque era; the music is Baroque in style but the arrangement is crafted expressly for today's 2 and 3-part choirs. Dynamic changes add interest to the singable melodies and solid harmonies. Perfect for concerts, festivals, and adjudications. Donald Moore.

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The original work by Giuseppe Pitoni was a cappella, but Donald Moore has added a straightforward accompaniment of piano and optional flute or C-instrument. What a great way to introduce your students to music of the Baroque era; the music is Baroque in style but the arrangement is crafted expressly for today's 2 and 3-part choirs. Dynamic changes add interest to the singable melodies and solid harmonies.

Perfect for concerts, festivals, and adjudications. Donald Moore. Patrick M. SAB with Opt. Sign Language Choral Octavo. Russell Robinson. Jay Althouse. Join Our Email List. We use cookies to analyze site usage, enhance site usability, and assist in our marketing efforts. Your Orders. Your Lists. Product Details. Sample Pages. Audio Samples. Cantate Domino 3-Part Mixed. Additional Information.

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Giuseppe Ottavio Pitoni

The original work by Giuseppe Pitoni was a cappella, but Donald Moore has added a straightforward accompaniment of piano and optional flute or C-instrument. What a great way to introduce your students to music of the Baroque era; the music is Baroque in style but the arrangement is crafted expressly for today's 2 and 3-part choirs. Dynamic changes add interest to the singable melodies and solid harmonies. Perfect for concerts, festivals, and adjudications. Donald Moore. Patrick M. English setting by Patrick M.

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Cantate Domino (Pitoni, Giuseppe Ottavio)

He became one of the leading musicians in Rome during the late Baroque era, the first half of the 18th century. Taken to Rome as an infant, he began vocal study with Pompeo Natali at the age of five and sang in the choir of San Giovanni dei Fiorentini from age eight. At Santi Apostoli he sang and studied counterpoint with Francesco Foggia , where his early compositions were performed. By age sixteen he was maestro di cappella at Santa Maria Maggiore, Monterotondo , a historic church near Rome.

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Cantate Domino (Giuseppe Pitoni)

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